School of Church Music
SPFMU 3101 Spiritual Formation I
The study and practice of corporate worship, involving participation in chapel, plenary lectures on corporate worship, and small group interaction and accountability.
One hour.
SPFMU 3111 Spiritual Formation II
The study and practice of personal worship, involving participation in chapel, plenary lectures on personal worship, and small group interaction and accountability.
One hour.
MUMST 4960 M.Div. with Church Music Concentration Comprehensive Examinations
Written comprehensive examinations covering the church music components of the M.Div. with Church Music Concentration.
No credit.
MUMST 4970 M.A. in Worship Comprehensive Examinations
Written and oral comprehensive examinations covering the worship and church music components of the M.A. in Worship degree program.
No credit.
MUMST 4980 M.A.C.M. Comprehensive Examinations
Written and oral comprehensive examinations covering the music ministry area of the M.A.C.M. degree program.
No credit.
MUMST 4990 M.M. Comprehensive Examinations
Written and oral comprehensive examinations covering church music, music theory, music history, and the area of concentration.
No credit.
MUDOC 8060 German Reading Examination
When the German Reading Examination is passed, this course number will be posted to the transcript.
No credit.
MUDOC 8070 Second Language Reading Examination
When the Second Language Reading Examination is passed, this course number will be posted to the transcript.
No credit.
MUDOC 8080 Doctoral Qualifying Examinations
Written and oral examinations covering music history, music ministry, music theory, and the student's area of concentration.
No credit.
MUDOC 8090 Doctoral Final Oral Examination
An examination covering primarily the dissertation or document and its general relation to the field of music.
No credit.
MUDOC 8100 Doctoral Continued Enrollment
Doctoral enrollment for students who are not enrolled in coursework, research and writing, or doctoral examinations.
No credit.
MUMIN 3331 Practicum: Instrumental Church Music
Emphasis will be given to the use of orchestral instruments in the church, including current and historical literature as well as rehearsal and performance considerations.
One hour.
MUMIN 3351 Supervised Ministry I
A program designed to involve the student in the on-going ministry of music in a local church either as a paid staff member or volunteer participant. Through this course the student will discover, develop, and evaluate skills for future ministry.
One hour.
MUMIN 3361 Supervised Ministry II
A continuation of MUMIN 3351. Prerequisite: MUMIN 3351.
One hour.
MUMIN 3362 / 7362 Worship
An examination of the scriptural, theological, and historical foundation of the role of personal and corporate worship leaders. Students are expected to minister in the music program of a local church or organization.
Two hours.
MUMIN 3372 Music in Missions
A survey of the functions of music in missions outreach, communicative method in music evangelism, elementary principles of training and promotion, and the role of indigenous music in missions. For non-music students.
Two hours.
MUMIN 3382 Music Mission Methodology
A survey of the functions of music in missions, the role of the music missionary, communicative method in music evangelism, conceptual processes in music, principles of training, and an introduction to ethnomusicology. For music students or those with permission of instructor.
Two hours.
MUMIN 3902 Applied Ethnomusicology
This course is complementary to MUMIN 3382, building on the material presented there regarding the importance of indigenous hymnodies. Areas covered include strategies for encouraging heart-music hymnodies, music ministry program planning, music workshops, and methods for disseminating indigenous Christian music.
Two hours.
MUMIN 3913 Analysis of Non-Western Music
Techniques in analyzing a non-Western music system in order to compose new melodies to serve as hymn tunes. Computer-aided transcription and analysis assist the student in understanding previously unanalyzed music systems not based on Western European structures.
Three hours.
MUMIN 3923 Field of Ethnomusicology/Anthropology of Music
An overview of the major issues and scholars in the field of ethnomusicology, with special emphasis on studies of the role of music in culture. Practical applications to cross-cultural music ministry are illustrated.
Three hours.
MUMIN 4062 Music Missions Seminar and Practicum
A music mission project held between terms comprising both the study and practice of using music as a tool for evangelism, church planting, and church growth activities. Faculty and field supervisors are required, as well as the official sponsorship of a denominational entity. Four weeks of study and practice. May be repeated for credit.
Two hours.
MUMIN 4074 Music Missions Seminar and Practicum
A music mission project held between terms comprising both the study and practice of using music as a tool for evangelism, church planting, and church growth activities. Faculty and field supervisors are required, as well as the official sponsorship of a denominational entity. Six weeks of study and practice.
Four hours.
MUMIN 4222 / 7222 Congregational Song
A study of the history of the church's corporate song in its biblical, theological, and musical dimensions from the early church to the present day. Students are expected to minister in the music program of a local church or organization.
Two hours.
MUMIN 4242 History of American Church Music (Identical to MUHST 4242)
A study of the philosophy and literature of American church music from colonial times to the present. Prerequisite: MUHST 4102.
Two hours.
MUMIN 4252 Music in Worship
A seminar in the challenges and aspects of music in worship, biblical and historical bases for problem solving, and review of current issues in worship. Prerequisite: MUMIN 3362.
Two hours.
MUMIN 4262 Music in the Liturgies
A survey of the great liturgical traditions and the forms of music associated with the Eastern and Western Church and the community of their musical practices from the early post-biblical period to their relationship to Christian worship in the present day. Prerequisite: MUHST 4102.
Two hours.
MUMIN 4282 Special Research in Church Music
Independent study of a topic chosen in conjunction with an assigned faculty member. Course may be taken only upon approval of Music Ministry department faculty.
Two hours credit granted upon completion of project.
MUMIN 4294 M.M. Thesis in Church Music
A student preparing a church music thesis will enroll in MUMIN 4970 M.M. Research and Writing until the thesis is completed.
Upon completion and approval, four hours of credit will be granted.
MUMIN 4312 / 7312 Philosophy in Ministry
Many courses deal with the "how," but this course engages the "why" of music ministry to equip the student to face the multiple issues of ongoing local church ministry. The development of a personal philosophy of music ministry is the primary focus. Students are expected to minister in the music program of a local church or organization.
Two hours.
MUMIN 4322 / 7322 Administration in Ministry
The development of the local church minister of music's leadership and administrative skills. Students are expected to minister in the music program of a local church or organization.
Two hours.
MUMIN 4340 Children's Choir Lab
Laboratory teaching experience for MUMIN 4342.
Credit granted through MUMIN 4342.
MUMIN 4342 Church Music Education I
A survey and analysis of educational philosophies influencing church music education and the development of sequential learning in music activity groups and choirs for children, youth, and adults. Specific emphasis is given to educational methods and materials and appropriate literature for the development of children's choirs in a local church music ministry. Co-requisite: MUMIN 4340. Prerequisite: MUTHY 1423.
Two hours.
MUMIN 4352 Church Music Education II
A study of educational methods and materials and appropriate choral literature useful for the development of youth, adult, and senior adult choirs in a local church music ministry. Prerequisite: MUMIN 4342.
Two hours.
MUMIN 4362 Church Music Education III
A study of special topics related to church music education. In-depth studies include theories of instruction, curriculum design and assessment, music in early childhood, music technology, multiculturalism and music, and fine arts integration. Prerequisite: MUMIN 4352.
Two hours.
MUMIN 4382 Music Education Research Project
The development of a research and writing project in music education appropriate to the student's skills and needs. Projects must be approved by the instructor. Prerequisites: MUMIN 4342 and MUMIN 4352.
Two hours.
MUMIN 4392 Special Research in Music Education
The location and evaluation of instructional materials suitable for the church music ministry. Individual research projects are undertaken in the areas of choral and instrumental music, worship materials, and related instructional aids. Prerequisites: MUMIN 4342 and MUMIN 4352.
Two hours.
MUMIN 4412 Directed Teaching in Children's Music Education
Under the supervision of the professor, students plan, prepare, and teach during one semester in the Seminary Children's Choir, acquiring pedagogical skills and administrative experience. Prerequisites: MUMIN 4342 and MUMIN 4352.
Two hours.
MUMIN 4421 Directed Teaching in Early Childhood Music Education
Under the supervision of the professor, students plan, prepare, and teach during one semester in an early childhood setting, gaining pedagogical skills and administrative experience. Prerequisites: MUMIN 4342 and MUMIN 4352.
One hour.
MUMIN 4431 Directed Teaching in Adult Music Education
Under the supervision of the professor, students learn classroom preparation and gain teaching experience with adults in a seminary music education class. Prerequisite: MUMIN 4352.
One hour.
MUMIN 4441 Internship and Research Project I
Under the supervision of the professor and a mentor in music ministry in a local church, students (1) serve as a staff member or as a volunteer participant in the ministry of music in a local church and (2) plan and conduct a music education research study in a children's, youth, or adult choir. Prerequisite: MUMIN 4342.
One hour.
MUMIN 4451 Internship and Research Project II
Under the supervision of the professor and a mentor in music ministry in a local church, students (1) serve as a staff member or as a volunteer participant in the ministry of music in a local church and (2) plan and conduct a music education research study in a children's, youth, or adult choir (non-thesis track) or complete thesis prospectus preparation (thesis track) in this course. Prerequisite: MUMIN 4342 for non-thesis track; MUMIN 4342 and FOUND 4383 for thesis track.
One hour.
MUMIN 4502 Spiritual Life of the Worship Leader
Building on the foundation of the seminary's core courses, SPFMU 3101 and SPFMU 3111, this course focuses on making daily application in the worship leader's life of spiritual formation principles and integrating them into a regular approach to the daily worship of God. Prerequisites: SPFMU 3101 and SPFMU 3111.
Two hours.
MUMIN 4512 Practicum in Worship Design
Development of the student's understanding and practice of the content and design of Sunday worship and its use of worship music in a given context.
Two hours.
MUMIN 4523 Biblical / Historical Foundations of Worship
Designed to actively engage the student with the biblical and historical foundations of worship and assist the student in developing a sound, biblical theology of worship that is rooted in scripture.
Three hours.
MUMIN 4533 The Music of Worship from Biblical Times to the Present
A study of the worship song from its Old Testament origins and its New Testament directives through its development and use in the church, including its ethnic and multicultural influences and the modern praise and worship movement.
Three hours.
MUMIN 4543 The Worship Leader as Pastor and Administrator
The two-track course is designed to assist the worship leader in developing a biblically based approach to the daily ministerial responsibilities and demands that govern the life of a servant leader and prepare the leader for his or her various roles as an administrator.
Three hours.
MUMIN 4552 Resources for Worship (personal and corporate)
A seminar-driven course to acquaint the worship student with appropriate, biblically based resources for use in both personal and corporate worship.
Two hours.
MUMIN 4562 Multicultural Worship
A survey of the vast array of multicultural worship styles. The course discusses, explains, and examines the differences and similarities of worship within the multicultural twenty-first century.
Two hours.
MUMIN 4572 21st Century Worship (Guiding the Changes)
An examination and detailed study of the changes, styles, perspectives, and worship music from the mid-twentieth century to the present day.
Two hours.
MUMIN 4582 Seminar and Practicum in Technology
A survey of acoustic design, sound reproduction, multi-media, and other forms of technology appropriate for use in the local church. Includes a technology practicum.
Two hours.
MUMIN 4591 Practicum in the Arts
A practicum focusing on the use of all forms of the arts including, but not limited to, drama, painting, sculpture, and media in corporate worship.
One hour.
MUMIN 4632 Contemporary Christian Song
A study in the history, development, and presentation of the contemporary Christian song.
Two hours.
MUMIN 4642 Studies in Baptist Hymnody in America
A study of the origins and development of Baptist song from American colonial times to the present day.
Two hours.
MUMIN 4651 Practicum: Media / Audio Technology
A study in the practical application and incorporation of media, audio, and technology into the local church worship experience.
One hour.
MUMIN 4960 M.M. Research and Writing
An M.M. student preparing a church music thesis will enroll in this course until the thesis is completed.
No credit.
MUMIN 7213 Seminar in Church Music History
An investigation and study of specific aspects of the history of church music.
Three hours.
MUMIN 7233 Seminar in Philosophy of Church Music
An advanced study of the philosophical and theological foundations of church music, with emphasis on determining, evaluating, expressing, and applying the basic facts and principles involved in developing a comprehensive and consistent approach to church music. Consideration will be given to the history of the philosophy of church music.
Three hours.
MUMIN 7243 Seminar in Music in Worship
An in-depth study of corporate worship, giving attention to the theological and historical foundations of music in worship, the role of music in worship, the music minister as worship leader, and the element of creativity in worship design, worship leadership, and production of materials for corporate worship.
Three hours.
MUMIN 7253 Seminar in Hymnology
An in-depth study of hymnology, giving attention to the theological and historical foundations of Christian song, the role of hymn singing in congregational services, and the ways of strengthening congregational participation.
Three hours.
MUMIN 7263 Seminar in Music Education
An advanced study of the psychology of music, meeting the curricular needs of the local church, research in music education, and the application of research results to the needs of the local church or school.
Three hours.
MUMIN 7283 Special Research in Church Music
Independent research with faculty guidance. Prerequisite: Permission of instructor.
Three hours.
MUMIN 8000 Doctoral Research and Writing
A doctoral student preparing a dissertation in music ministry will enroll in this course until the dissertation is completed.
No credit.
MUMIN 8016 Doctoral Dissertation in Church Music
A doctoral student preparing a dissertation in church music will enroll in MUMIN 8000 Doctoral Research and Writing until the dissertation is completed.
Upon completion and approval, six hours of credit for MUMIN 8016 will be awarded automatically.
MUHST 1113 Music History I
A study of musical styles and genres from Antiquity through the Renaissance within their historical context. Detailed analysis of selected works. Prerequisite: MUTHY 1433.
Three hours.
MUHST 1123 Music History II
A study of musical styles and genres from the Baroque and Classical eras within their historical context. Detailed analysis of selected works. Prerequisite: MUHST 1113.
Three hours.
MUHST 1133 Music History III
A study of musical styles and genres from the nineteenth century to the present within their historical context. Detailed analysis of selected works. Prerequisite: MUHST 1123.
Three hours.
MUHST 3111 Music History Review I
An intensive study in the historical traditions of Western art music focusing on developments in the major countries and genres from Antiquity through the Baroque. For master's students not passing the music history placement exam.
One hour.
MUHST 3121 Music History Review II
An intensive study in the historical traditions of Western art music focusing on developments in the major countries and genres from the Classical period to the present. For master's students not passing the music history placement exam.
One hour.
MUHST 3133 / 7013 Reading Music-Related German I
Designed to prepare doctoral students for the German Reading Examination by providing a basic understanding of German grammar, syntax, and vocabulary. Open to master's-level students who may need a reading knowledge of German.
Three hours..
MUHST 3143 / 7023 Reading Music-Related German II
Designed to prepare doctoral students for the German Reading Examination by providing a basic understanding of German grammar, syntax, and vocabulary. Open to master's-level students who may need a reading knowledge of German. Prerequisite: MUHST 3133 or MUHST 7013.
Three hours.
MUHST 4102 Introduction to Music Research
An introduction to the methodology of scholarly research and writing in music.
Two hours.
MUHST 4122 Music From Antiquity through the Reformation
Historical survey of the philosophy and literature of church music from the Old Testament through the Reformation. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4132 Music in the Baroque and Classical Periods
Historical survey emphasizing church and choral music. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4142 Music in the Nineteenth Century
Specialized study in the music of the nineteenth century, focusing on historical context, style characteristics, and analysis of specific works. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4152 Music in the Twentieth Century
Specialized study in the music of the twentieth century, focusing on historical context, style characteristics, and analysis of specific works. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4162 Introduction to Musicology
An introduction to the philosophy and methodology of musicology. Prerequisite: MUHST 4102.
Two hours.
MUHST 4182 Special Research in Music History
Independent research with faculty guidance. Prerequisite: MUHST 4102 and permission of instructor.
Two hours.
MUHST 4194 M.M. Thesis in Music History
A student preparing a music history thesis will enroll in MUHST 4970 M.M. Research and Writing until the thesis is completed. Prerequisite: MUHST 4102.
Upon completion and approval, four hours of credit will be granted.
MUHST 4212 Jazz History (Identical to JAZCM 4212)
An overview of the history and literature of jazz and jazz-related styles, with special attention given to prominent performers, composers, and arrangers and their contributions to the development of jazz. Open to all music students regardless of concentration.
Two Hours.
MUHST 4242 Seminar: History of American Church Music (Identical to MUMIN 4242)
A study of the philosophy and literature of American church music from colonial times to the present. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4262 Seminar in Music History: Study in Musical Genre
Specialized study of a genre (e.g., concerto, sonata, symphony, program music) to be chosen by the instructor. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4272 Seminar in Music History: Sacred Choral Masterworks
Specialized study of large-scale works from the Renaissance to the present. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4282 Seminar in Music History: Study of a Master Composer
Specialized study of the life and works of a specific composer (e.g., Mozart, Beethoven, Brahms, Stravinsky) to be chosen by the instructor. Prerequisite: MUHST 4102 or consent of instructor.
Two hours.
MUHST 4970 M.M. Research and Writing
An M.M. student preparing a music history thesis will enroll in this course until the thesis is completed. Prerequisite: MUHST 4102.
No credit.
MUHST 7103 The Craft of Scholarly Writing
Advanced preparation for the dissertation, focusing on scholarly precision and literary elegance through reading current scholarly literature, writing sample papers, and editing the works of others. Prerequisite: Consent of instructor.
Three hours.
MUHST 7113 Renaissance Music
Specialized study in the music of the Renaissance. Prerequisite: Consent of instructor.
Three hours.
MUHST 7123 Baroque Music
Specialized study in the music of the Baroque era. Prerequisite: Consent of instructor.
Three hours.
MUHST 7133 Classical Music
Specialized study in the music of the Classical period. Prerequisite: Consent of instructor.
Three hours.
MUHST 7143 Nineteenth-Century Music
Specialized study in the music of the nineteenth century. Prerequisite: Consent of instructor.
Three hours.
MUHST 7153 Twentieth-Century Music
Specialized study in the music of the twentieth century. Prerequisite: Consent of instructor.
Three hours.
MUHST 7163 Current Methods of Musicology
Directed reading in current methods of criticism and scholarship in the field of musicology. Prerequisite: Consent of instructor.
Three hours.
MUHST 7173 The Music of J. S. Bach
Seminar on the works of J. S. Bach and their historical background. Prerequisite: Consent of instructor.
Three hours.
MUHST 7183 Special Research in Music History
Independent research with faculty guidance. Prerequisite: Consent of instructor.
Three hours.
MUHST 8000 Doctoral Research and Writing
A doctoral student preparing a dissertation in musicology will enroll in this course until the dissertation is completed.
No credit.
MUHST 8016 Doctoral Dissertation in Musicology
A student preparing a dissertation in musicology will enroll in MUHST 8000 Doctoral Research and Writing until the dissertation is completed.
Upon completion and approval, six hours of credit for MUHST 8016 will be granted.
MUTHY 1413 Theory and Musicianship I
First semester of the M.A.C.M. music theory sequence. An integrated course involving the study of diatonic harmony and elementary sight singing and ear training.
Three hours.
MUTHY 1423 Theory and Musicianship II
Second semester of the M.A.C.M. music theory sequence. An integrated course that continues MUTHY 1413. Prerequisite: MUTHY 1413.
Three hours.
MUTHY 1433 Theory and Musicianship III
Third semester of the M.A.C.M. music theory sequence. An integrated course involving the study of chromatic harmony and more advanced sight singing and ear training. Prerequisite: MUTHY 1423.
Three hours.
MUTHY 1443 Theory and Musicianship IV
Fourth semester of the M.A.C.M. music theory sequence. An integrated course that includes instrumentation and continues the harmony and musicianship studies of MUTHY 1433. Prerequisite: MUTHY 1433.
Three hours.
MUTHY 1452 Form in Music
A general study of form in tonal music beginning with phrase and period structures and concluding with sonata and other large forms. Prerequisite: MUTHY 1443.
Two hours.
MUTHY 1462 Post-Tonal Theory
An introduction to the melodic, contrapuntal, and harmonic styles of twentieth-century music. Analysis of music is emphasized. Prerequisites: MUTHY 1443 or MUTHY 2482.
Two hours.
MUTHY 1472 Counterpoint
Analysis and writing in the modal style of the sixteenth century and the tonal style of the eighteenth century. Prerequisite: MUTHY 1443.
Two hours.
MUTHY 1482 Instrumentation
A study of instruments and their capabilities, including ranges, transposition, idiomatic techniques, and potential combinations. Prerequisite: MUTHY 1443.
Two hours.
MUTHY 2472 Music Technology
Basic notation and sequencing techniques and skills utilizing Finale and Garage Band. May be assigned as a leveling course for students concentrating in music theory, composition, or instrumental studies. Prerequisite: MUTHY 1423 or equivalent.
Two hours.
MUTHY 2482 Harmony Review
Review of common-practice harmony for students not passing the harmony placement exam.
Two hours.
MUTHY 2492 Musicianship Review
Review of musicianship skills for students not passing the musicianship placement exam.
Two hours.
MUTHY 4402 Theory Pedagogy
A survey of methods and materials used in the teaching of music theory. Prerequisite: MUTHY 4452.
Two hours.
MUTHY 4412 Graduate Theory Seminar
Special studies using advanced analytical techniques of music chosen by the instructor. Specific content will vary each time the course is offered. Prerequisites: MUTHY 2482, MUTHY 2492, and all assigned leveling courses in music theory.
Two hours.
MUTHY 4443 Introduction to Schenkerian Analysis
Analysis of music using the concepts and graphing techniques developed by Heinrich Schenker. Literature studied will extend from traditional hymns and chorales to standard classical literature. Prerequisites: MUTHY 2482, MUTHY 2492, and all assigned leveling courses in music theory.
Three hours.
MUTHY 4452 Seminar in Analysis
Advanced analysis and score study of tonal music. Prerequisites: MUTHY 2482, MUTHY 2492, and all assigned leveling courses in music theory.
Two hours.
MUTHY 4462 Advanced Music Technology
Advanced work in music sequencing using Logic Pro. Prerequisite: MUTHY 2472 or demonstration of equivalent knowledge and skill.
Two hours.
MUTHY 4472 Advanced Orchestration
Study in writing for large instrumental ensembles. Prerequisites: MUTHY 2482 and MUTHY 2492.
Two hours.
MUTHY 4482 Special Research in Music Theory
The research and writing of a substantial paper or other project chosen in consultation with the instructor. Prerequisite: Completion of all assigned leveling work in music theory and permission of the chair of the theory and composition department.
Two hours.
MUTHY 4494 M.M. Thesis in Music Theory
A student preparing a music theory thesis will enroll in MUTHY 4970 M.M. Research and Writing until the thesis is completed.
Upon completion and approval, four hours of credit for MUTHY 4494 will be granted.
MUTHY 4501 Theory at the Keyboard
A study in the practical application at the keyboard of theoretical concepts. Areas of instruction include melody harmonization, congregational hymn playing, modulation, transposition, creating and playing from chord charts, and creating hymn introductions. Prerequisite: Completion of all assigned leveling work in music theory and piano.
One hour.
MUTHY 4970 M.M. Research and Writing
An M.M. student preparing a music theory thesis will enroll in this course until the thesis is completed.
No credit.
MUTHY 7413 Seminar in Advanced Post-Tonal Analysis
Advanced analysis of music from the twentieth and twenty-first centuries. Prerequisite: Admission to the DMA/PhD programs or permission of instructor.
Three hours.
MUTHY 7423 Seminar in Advanced Tonal Analysis
Advanced analysis of music from the tonal era. Prerequisite: Admission to the DMA/PhD programs or permission of instructor.
Three hours.
MUTHY 7433 Advanced Schenkerian Analysis
Advanced analysis of music using the concepts developed by Heinrich Schenker. Prerequisite: MUTHY 4443 or permission of instructor.
Three hours.
MUTHY 7443 History of Music Theory
Examination of selected theoretical treatises that have been significant in the development of musical style. Prerequisite: Any 4000-level music history course.
Three hours.
MUTHY 7463 Problems in Contemporary Notation
Examination of the notation of music since 1900. Prerequisite: MUTHY 4452.
Three hours.
MUTHY 7483 Special Research in Music Theory
The research and writing of a substantial paper or other project chosen in consultation with the instructor. Prerequisite: permission of instructor.
Three hours of credit granted upon completion of assignment.
MUTHY 8000 Doctoral Research and Writing
A doctoral student preparing a music theory dissertation will enroll in this course until the dissertation is completed.
No credit.
MUTHY 8016 Doctoral Dissertation in Music Theory
A student preparing a music theory dissertation will enroll in MUTHY 8000 Doctoral Research and Writing until the dissertation is completed.
Upon completion and approval, six hours of credit for MUTHY 8016 will be granted.
COMPN 1500 / 4500 / 7500 Composition Master Class
All students concentrating in composition will meet weekly with a member or members of the composition faculty. The class will include discussions, guest speakers, and performance and discussion of student works. Enrollment is required each semester the student is enrolled as a composition concentration. Students are expected to minister in the music program of a local church or organization.
No credit.
COMPN 1512 M.A.C.M. Composition I
Private composition study for M.A.C.M. students whose applied area is composition. Composition department approval required. Master class required. Prerequisite: MUTHY 1423 or equivalent.
Two hours.
COMPN 1522 M.A.C.M. Composition II
Continuation of Composition I. Master class required. Prerequisite: COMPN 1512.
Two hours.
COMPN 1532 M.A.C.M. Composition III
Continuation of Composition II. Master class required. Prerequisite: COMPN 1522.
Two hours.
COMPN 1572 Song Writing
An introduction to lyric and melodic writing through composing one's own songs and using them in a church context. Prerequisite: MUTHY 1423 or permission of instructor.
Two hours.
COMPN 1592 M.A.C.M. Composition IV and Senior Recital
Private lessons for preparing and presenting a recital of the student's works. The recital should include works for voices and instruments in various combinations, representing the student's best writing. The student is responsible for securing performers and will be expected to perform or conduct a portion of the material presented. Master class required. Prerequisite: COMPN 1532.
Two hours.
COMPN 4512 M.M. Composition I
Private lessons in advanced composition stressing media and forms used in church music. Master class required. Prerequisite: COMPN 1592 or equivalent.
Two hours.
COMPN 4522 M.M. Composition II
Private lessons in advanced composition stressing media and forms used in church music. Master class required. Prerequisite: COMPN 4512.
Two hours.
COMPN 4532 M.M. Composition III
Private lessons in advanced composition stressing media and forms used in church music. Master class required. Prerequisite: COMPN 4522.
Two hours.
COMPN 4542 M.M. Composition IV and Recital
Private lessons in advanced composition and the presentation of a 50-minute recital of works for a variety of performing forces. The student is responsible for securing performers and will be expected to perform or conduct a portion of the material presented. Master class required. Prerequisite: COMPN 4532.
Two hours.
COMPN 4552 Composition Class
Offered on demand to students not concentrating in composition. Writing for vocal and instrumental media. Prerequisite: MUTHY 1452 or equivalent.
Two hours.
COMPN 4562 Choral Arranging
Instruction in arranging for choral ensembles. Prerequisite: Completion of all assigned leveling work in music theory.
Two hours.
COMPN 4572 / 7572 Graduate Composition Seminar
Class study of advanced compositional techniques and topics in a seminar setting. Specific subject matter will vary with each offering of the course. Prerequisite: Completion of all assigned leveling work in music theory.
Two hours.
COMPN 4592 M.M. Thesis in Composition
Upon completion of the required four semesters of private composition study and presentation of a composition recital, the student will demonstrate proficiency in composition by composing a large-scale sacred work to be presented to the composition department. A public performance of the work is encouraged but not required. Prerequisite: COMPN 4542.
Upon completion and approval, two hours of credit for COMPN 4592 will be granted.
COMPN 4970 M.M. Research and Writing
An M.M. student preparing a composition thesis will enroll in this course until the thesis is completed.
No credit.
COMPN 5512 Elective Composition
Private lessons for music students not concentrating in composition. Writing for vocal and instrumental media, including both solo and ensemble works. Prerequisite: permission of instructor.
Two hours.
COMPN 5522 Elective Composition
Private lessons for music students not concentrating in composition. Writing for vocal and instrumental media, including both solo and ensemble works. Prerequisite: permission of instructor.
Two hours.
COMPN 7512 Doctoral Composition I
Advanced study in private lessons for students holding a master's degree in composition or its equivalent. Master class required. Prerequisites: COMPN 4542 and COMPN 4592 or equivalent.
Two hours.
COMPN 7513 Seminar in Advanced Orchestration
Scoring for orchestra and other large ensembles will be emphasized along with analysis and study of orchestration in representative works from the twentieth and twenty-first centuries. Prerequisite: Admission to the DMA program in Composition or permission of the instructor.
Three hours.
COMPN 7522 Doctoral Composition II
Advanced study in private lessons for students holding a master's degree in composition or its equivalent. Master class required. Prerequisites: COMPN 7512.
Two hours.
COMPN 7523 Aesthetic and Theoretical Issues Since 1950
Exploration of developments in theory, aesthetics, and compositional procedures in the latter half of the twentieth century. Prerequisite: Admission to the DMA program in Composition or permission of instructor.
Three hours.
COMPN 7532 Doctoral Composition III
Continuation of COMPN 7512-7522. Master class required. Prerequisite: COMPN 7522.
Two hours.
COMPN 7544 Doctoral Composition IV and Recital
Continuation of COMPN 7532 and presentation of a recital of works for a variety of performing forces. The student is responsible for securing performers and will be expected to perform or conduct a portion of the material presented. Master class required. Prerequisite: COMPN 7532.
Four hours.
COMPN 7572 Graduate Composition Seminar
Class study of advanced compositional techniques and topics in a seminar setting. Specific subject matter will vary with each offering of the course. Prerequisite: Admission to the DMA program in Composition or permission of instructor.
Two hours.
COMPN 8000 Doctoral Research and Writing
A doctoral student preparing a composition dissertation will enroll in this course until the dissertation is completed.
No credit.
COMPN 8016 Doctoral Dissertation in Composition
The student will compose a large work for performing forces chosen by the student and approved by the major professor. Performance of the work is encouraged but not required. The dissertation must be accompanied by a short literary document that explains the composer's compositional intent and creative process. A student preparing a composition dissertation will enroll in COMPN 8000 until the dissertation is completed. Prerequisite: COMPN 7544.
Upon completion and approval, six hours of credit for COMPN 8016 will be granted.
PFMLB 1010 / 3010 Performance Laboratory
Performance Lab consists of recitals, lectures, workshops, master classes, and other events presented by Southwestern ensembles, faculty, students, and guest artists, lecturers, and ensembles. Students pursuing a master's degree in the School of Church Music are required to complete a specified number of semesters in which they must attend a certain percentage of the scheduled events. May be repeated.
No credit.
ENSEM 1010 / 3010 / 7010 Southwestern Seminary Master Chorale
A large mixed chorus that performs major sacred works for chorus and orchestra. Audition required. May be repeated.
No credit.
ENSEM 1018 / 3018 / 7018 Southwestern Seminary Master Chorale
A large mixed chorus that performs major sacred works for chorus and orchestra. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1070 / 3070 / 7070 Guitar Ensemble
An ensemble for students who want to improve their skills in reading, comping, and improvising. Class time will be spent rehearsing charts written specifically for guitar. All styles of music will be taken seriously. Audition required. May be repeated.
No credit.
ENSEM 1078 / 3078 / 7078 Guitar Ensemble
An ensemble for students who want to improve their skills in reading, comping, and improvising. Class time will be spent rehearsing charts written specifically for guitar. All styles of music will be taken seriously. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1080 / 3080 / 7710 Combo Lab I
An advanced lab that stresses the development and refinement of improvisation and performance skills in a small ensemble environment in traditional jazz literature as well as application in worship practice. Audition required. May be repeated.
No credit.
ENSEM 1088 / 3088 / 7718 Combo Lab I
An advanced lab that stresses the development and refinement of improvisation and performance skills in a small ensemble environment in traditional jazz literature as well as application in worship practice. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1090 / 3090 / 7720 Combo Lab II
An introductory lab that stresses the development and refinement of improvisation and performance skills in a small ensemble environment in traditional jazz literature as well as application in worship practice. Audition required. May be repeated.
No credit.
ENSEM 1098 / 3098 / 7728 Combo Lab II
An introductory lab that stresses the development and refinement of improvisation and performance skills in a small ensemble environment in traditional jazz literature as well as application in worship practice. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1600 / 3600 / 7600 Faculty-Led Ensemble
Faculty members may direct ensembles in strings, woodwinds, early music, or other special ensembles. Audition required. May be repeated.
No credit.
ENSEM 1608 / 3608 / 7608 Faculty-Led Ensemble
Faculty members may direct ensembles in strings, woodwinds, early music, or other special ensembles. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1610 / 3610 / 7610 Wind Ensemble
An ensemble of wind and percussion instrumentalists that performs works from the wind band repertoire, with an emphasis on pieces that feature prominent usage of hymn or chorale tunes or other sacred musical materials. Audition required. May be repeated.
No credit.
ENSEM 1618 / 3618 / 7618 Wind Ensemble
An ensemble of wind and percussion instrumentalists that performs works from the wind band repertoire, with an emphasis on pieces that feature prominent usage of hymn or chorale tunes or other sacred musical materials. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1620 / 3620 / 7620 Orchestra
A full symphonic ensemble of strings, winds, and percussion that performs literature from the standard symphonic repertoire. Audition required. May be repeated.
No credit.
ENSEM 1628 / 3628 / 7628 Orchestra
A full symphonic ensemble of strings, winds, and percussion that performs literature from the standard symphonic repertoire. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1630 / 3630 / 7630 NewSound
A multifaceted large jazz ensemble that performs traditional “big band” repertory as well as literature emphasizing the school’s focus on church ministry. Performs on and off campus. Audition required. May be repeated.
No credit.
ENSEM 1638 / 3638 / 7638 NewSound
A multifaceted large jazz ensemble that performs traditional “big band” repertory as well as literature emphasizing the school’s focus on church ministry. Performs on and off campus. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1640 / 3640 / 7640 Southwestern Chamber Chorale
A scholarshiped ensemble of selected singers that serves as a promotional arm of the school to churches, colleges, and universities in the United States and throughout the world. Occasional retreats, tour concerts, chapel appearances, and annual recitals are expected. Members must commit to two consecutive semesters, Fall to Spring. Audition required. Co-requisite: ENSEM 1650/1658, 3650/3658, or 7650/7658 Southwestern Singers. May be repeated.
No credit.
ENSEM 1650 / 3650 / 7650 Southwestern Singers
A mixed choir that appears in chapel, in concert, and on tour. Audition required. May be repeated.
No credit.
ENSEM 1658 / 3658 / 7658 Southwestern Singers
A mixed choir that appears in chapel, in concert, and on tour. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1680 / 3680 / 7680 Handbell Ensemble
An ensemble that seeks to demonstrate excellence in the art of handbell ringing. Audition required. May be repeated.
No credit.
ENSEM 1688 / 3688 / 7688 Handbell Ensemble
An ensemble that seeks to demonstrate excellence in the art of handbell ringing. Audition required. May be repeated for credit.
One-half hour.
ENSEM 1690 / 3690 / 7690 String Ensemble
A small string ensemble open to all students of the seminary who are acceptably proficient on their instrument. The String Ensemble performs in chapel and in concert. Audition required. May be repeated. Co-requisite: ENSEM 1620, 1628, 3620, 3628, 7620, or 7628.
No credit.
ENSEM 1698 / 3698 / 7698 String Ensemble
A small string ensemble open to all students of the seminary who are acceptably proficient on their instrument. The String Ensemble performs in chapel and in concert. Audition required. May be repeated for credit. Co-requisite: ENSEM 1620, 1628, 3620, 3628, 7620, or 7628.
One hour.
CONDG 1600 / 4600 / 7600 Conducting Master Class
A practical application of conducting techniques, principles, and procedures. Students will be involved in a lab choir for participation, observation, and rehearsal experiences. Students are expected to minister in the music program of a local church or organization.
No credit.
CONDG 1622 Choral Conducting
The elementary theory and practice of choral conducting. Master class required. Prerequisite: MUTHY 1423.
Two hours.
CONDG 3601 Choral Diction
A study, using the International Phonetic Alphabet, of the standard sounds of the English language encountered in choral singing. Attention is given to linkage and legato line and to vowel modifications necessitated by musical demands. Master class required.
One hour.
CONDG 4612 Conducting and Choral Procedures I
Investigation of basic choral techniques and procedures, and the conducting of motet and anthem forms. A one-hour-per-week private tutor session may be required. Master class required. Prerequisites: MUTHY 1443, MUTHY 2482, MUTHY 2492, or equivalent.
Two hours.
CONDG 4622 Conducting and Choral Procedures II
A continuation of CONDG 4612, with the inclusion of larger choral forms. A one-hour-per-week private tutor session may be required. Master class required.
Two hours.
CONDG 4662 Conducting Seminar in Score Study and Instrumental Conducting
Advanced score study and preparation of selected choral/orchestral works. Students will investigate scores from the major historical periods. Master class required.
Two hours.
CONDG 4682 Special Research in Conducting
The research and writing of a substantial paper or other project chosen in consultation with the instructor. Master class required. May be repeated for credit.
Two hours of credit granted upon completion of assignment.
CONDG 4692 Conducting Document
The preparation of a substantial document concerning the music selected for the conducting recital. Composers, styles, performing practice, and special problems in conducting the music should be addressed. Co-requisite: CONDG 4694.
Two hours.
CONDG 4694 Private Instruction and Conducting Recital
Private instruction focusing on the student's unique technical challenges, with a study program of score-reading at the piano. The student will also prepare and conduct a recital, including an acceptable preliminary performance for a faculty jury at least two weeks before the public presentation. The student is responsible for securing performers and arranging for the necessary rehearsals. Credit will be granted with completion of CONDG 4692 Conducting Document. Master class required. Co-requisite: CONDG 4692.
Four hours.
CONDG 7601 Doctoral Conducting Lab I
Practical application of the techniques, principles, and procedures presented in conducting classes. Students will be assigned to a lab choir or existing ensemble for observation and rehearsal experiences. Master class required.
One hour.
CONDG 7603 Doctoral Conducting Seminar I
Investigation and research in rehearsal techniques for the conductor. Included are ideas for rehearsal organization and administration. Master class required.
Three hours.
CONDG 7611 Doctoral Conducting Lab II
Practical application of the techniques, principles, and procedures presented in conducting classes. Students will be assigned to a lab choir or existing ensemble for observation and rehearsal experiences. Master class required.
One hour.
CONDG 7613 Doctoral Conducting Seminar II
Investigation and research into score study and preparation of major works in the Baroque and Classical periods. Master class required.
Three hours.
CONDG 7622 Doctoral Conducting Pedagogy and Tutoring I
An evaluation of teaching materials available for the beginning adult conductor, focusing on practical methods and procedures for continuing development of technique, style, and musicianship. A one-hour-per-week private tutor session is required. Master class required.
Two hours.
CONDG 7623 Doctoral Conducting Seminar III
Investigation and research in rehearsal techniques for the conductor. Included are ideas for rehearsal organization and administration. A continuation of CONDG 7603 with varying research topics. Master class required.
Three hours.
CONDG 7632 Doctoral Conducting Pedagogy and Tutoring II
A continuation of CONDG 7622. A focus on practical methods and procedures that guide the teaching of the intermediate and advanced adult conductor in matters of technique, style, and musicianship. Presentation of a lecture-demonstration covering repertoire drawn from class study. A one-hour-per-week private tutor session is required. Master class required. Prerequisite: CONDG 7622.
Two hours.
CONDG 7633 Doctoral Conducting Seminar IV
Investigation and research in score study and preparation of major works from the nineteenth and twentieth centuries. Master class required.
Three hours.
CONDG 7683 Special Research in Conducting
The research and writing of a substantial paper or other project chosen in consultation with the instructor. Master class required. May be repeated for credit.
Three hours credit granted upon completion of assignment.
CONDG 8000 Doctoral Research and Writing
A doctoral student preparing a conducting dissertation will enroll in this course until the dissertation is completed.
No credit.
CONDG 8602 Doctoral Private Instruction and Conducting Recital I
Private instruction focusing on the student's unique technical challenges, with a study program of score-reading at the piano. The student will also prepare and conduct a recital, including an acceptable preliminary performance for a faculty jury at least two weeks before the public presentation. The student is responsible for securing performers and arranging for the necessary rehearsals. The preparation of a substantial document concerning the music selected for the recital. Composers, styles, performing practice, and special problems in conducting the music should be addressed. Credit will be granted after completion of both the document and the recital. Master class required.
Two hours.
CONDG 8612 Doctoral Private Instruction and Conducting Recital II
Private instruction focusing on the student's unique technical challenges, with a study program of score-reading at the piano. The student will also prepare and conduct a recital, including an acceptable preliminary performance for a faculty jury at least two weeks before the public presentation. The student is responsible for securing performers and arranging for the necessary rehearsals. The preparation of a substantial document concerning the music selected for the recital. Composers, styles, performing practice, and special problems in conducting the music should be addressed. Credit will be granted after completion of both the document and the recital. Master class required.
Two hours.
CONDG 8622 Doctoral Private Instruction and Conducting Recital III
Private instruction focusing on the student's unique technical challenges, with a study program of score-reading at the piano. The student will also prepare and conduct a recital, including an acceptable preliminary performance for a faculty jury at least two weeks before the public presentation, in conjunction with a lecture on the music being performed. The student is responsible for securing performers and arranging for the necessary rehearsals. Master class required. Prerequisite: CONDG 8662.
Two hours.
CONDG 8662 Doctoral Conducting Dissertation
Preparation of an acceptable research dissertation, the results of which will be validated through the conducting of a doctoral performance in CONDG 8622 Doctoral Conducting Lecture-Recital III. A doctoral student preparing a conducting dissertation will enroll in CONDG 8000 Doctoral Research and Writing until the dissertation is completed.
Upon completion and approval, two hours of credit for CONDG 8662 will be granted.
ORINS 1012 M.A.C.M. Instrument I
Applied study for instrumental performance track on the M.A.C.M. program. Entrance by audition (all scales, technical studies, and solo materials comparable to basic college-level studies). Student must be enrolled in an instrumental ensemble. Jury required.
Two hours.
ORINS 1022 M.A.C.M. Instrument II
Applied study for instrumental performance track on the M.A.C.M. program. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 1012.
Two hours.
ORINS 1032 M.A.C.M. Instrument III
Advanced technical studies and solo materials comparable to upper-level college studies. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 1022.
Two hours.
ORINS 1042 M.A.C.M. Instrument IV
Advanced technical studies and solo materials comparable to upper-level college studies. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 1032.
Two hours.
ORINS 1051 / 5051 Class Guitar I
Beginning guitar for any seminary student, using standard beginning material.
One hour.
ORINS 1052 M.A.C.M. Instrument V
Pre-recital semester. Study and performance of advanced solo materials by composers of all periods. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 1042.
Two hours.
ORINS 1061 / 5061 Class Guitar II
Beginning guitar for any seminary student, using standard beginning material. Prerequisite: ORINS 1051/5051.
One hour.
ORINS 1062 M.A.C.M. Instrument VI and Senior Recital
Preparation and presentation of an acceptable recital and the study of additional repertoire. Student must be enrolled in an instrumental ensemble. Prerequisite: 1052.
Two hours.
ORINS 4012 M.M. Instrument I
Applied study for M.M. students. Advanced repertoire from composers of all periods. Permission of department required. Student must be enrolled in an instrumental ensemble. Jury required.
Two hours.
ORINS 4022 M.M. Instrument II
Applied study for M.M. students. Advanced repertoire from composers of all periods. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 4012.
Two hours.
ORINS 4032 M.M. Instrument III
Applied study for M.M. students. Advanced repertoire from composers of all periods. Student must be enrolled in an instrumental ensemble. Jury required. Prerequisite: ORINS 4022.
Two hours.
ORINS 4092 M.M. Instrument IV and Recital
Preparation and presentation of an acceptable graduate recital and the study of additional repertoire. Student must be enrolled in an instrumental ensemble. Prerequisite: ORINS 4032.
Two hours.
ORINS 4901 Instrument Pedagogy
Principles of applied private teaching on the student's instrument. Practice teaching under faculty supervision and evaluation.
One hour.
ORINS 4911 Instrument Literature
Survey and evaluation of literature for the student's instrument and for ensembles that include the instrument.
One hour.
ORINS 4931 Church Orchestra Practicum I
Students will serve in a leadership role in a local church or school instrumental program under the supervision of an approved church or school staff member. Written evaluations will be made at the end of each semester.
One hour.
ORINS 4941 Church Orchestra Practicum II
Students will serve in a leadership role in a local church or school instrumental program under the supervision of an approved church or school staff member. Written evaluations will be made at the end of each semester.
One hour.
ORINS 5011 Elective Instrument
Elective instrument open to any seminary student who can demonstrate adequate technical facility on an instrument. Available only when teaching loads permit. Material appropriate to the student's level. May not be applied to meet the requirements of an instrumental concentration. Permission of instructor required. Student must be enrolled in an instrumental ensemble.
One hour.
ORINS 5021 Elective Instrument
Elective instrument open to any seminary student who can demonstrate adequate technical facility on an instrument. Available only when teaching loads permit. Material appropriate to the student's level. May not be applied to meet the requirements of an instrumental concentration. Permission of instructor required. Student must be enrolled in an instrumental ensemble.
One hour.
ORINS 5032 Elective Instrument
Elective instrument for M.M. students who were instrumental concentrations on their undergraduate programs. Student must be enrolled in an instrumental ensemble.
Two hours.
ORINS 5042 Elective Instrument
Elective instrument for M.M. students who were instrumental concentrations on their undergraduate programs. Student must be enrolled in an instrumental ensemble.
Two hours.
JAZCM 4210 Improvisation Proficiency
The student must provide evidence of an undergraduate jazz recital or demonstrate a comparable level of performance. When the improvisation proficiency is satisfied, this course number will be posted to the transcript.
No credit.
JAZCM 4212 Jazz History (Identical to MUHST 4212)
An overview of the history and literature of jazz and jazz-related styles, with special attention given to prominent performers, composers, and arrangers and their contributions to the development of jazz. Open to all music students regardless of concentration.
Two hours.
JAZCM 4222 Jazz Styles and Analysis
A study of the stylistic elements of the various eras of jazz history. Analysis of the theoretical elements of jazz form, melody, harmony and rhythm will be emphasized as well as ear training through transcription projects. Prerequisite: JAZCM 4212.
Two hours.
JAZCM 4232 Jazz Improvisation
The techniques and practices of jazz improvisation. Application of these principles to their use in worship will be emphasized. Prerequisite: Working knowledge of basic major scales and proficiency on any instrument.
Two hours.
JAZCM 4242 Jazz Arranging
The practical elements of advanced arranging in jazz/commercial music styles with special emphasis given to music for use in worship. Prerequisite: Completion of leveling requirements.
Two hours.
JAZPR 4012 M.M. Jazz Applied Studies I
Private instrumental study with an emphasis on jazz performance. Permission of department required. Participation in a jazz department ensemble required. Jury required.
Two hours.
JAZPR 4022 M.M. Jazz Applied Studies II
Private instrumental study with an emphasis on jazz performance. Participation in a jazz department ensemble required. Jury required. Prerequisite: JAZPR 4012.
Two hours.
JAZPR 4032 M.M. Jazz Applied Studies III
Private instrumental study with an emphasis on jazz performance. Participation in a jazz department ensemble required. Jury required. Prerequisite: JAZPR 4022.
Two hours.
JAZPR 4042 M.M. Jazz Applied Studies IV and Recital
Private instrumental study with an emphasis on jazz performance and presentation of an appropriate jazz recital. Participation in a jazz department ensemble required. Prerequisite: JAZPR 4022.
Two hours.
JAZPR 4252 Jazz Composition
Private instruction in a variety of jazz and commercial music styles with special attention given to composing for worship. Prerequisite: JAZCM 4242.
Two hours.
JAZPR 4282 Advanced Jazz Improvisation
Private instruction in advanced jazz improvisation. Participation in a jazz department ensemble required. Prerequisite: JAZCM 4232 or Improvisation Proficiency.
Two hours.
JAZPR 5011 Elective Studio Instrument
Private instrumental study for non-majors with an emphasis on jazz and commercial music performance. Participation in a jazz department ensemble required.
One hour.
JAZPR 5012 Elective Studio Instrument
Private instrumental study for non-majors with an emphasis on jazz and commercial music performance. Participation in a jazz department ensemble required.
Two hours.
ORGCL 4712 Seminar in Organ Literature I
Historical survey of organ literature from the Renaissance to the Classical period and performance of representative works.
Two hours.
ORGCL 4721 Seminar in Organ Literature II
Historical survey of organ literature from the Romantic period to the present and performance of representative works.
One hour.
ORGCL 4731 Service Playing I
Basic service playing skills: hymn playing, transposition, modulation, vocal and choral accompaniments, and service literature.
One hour.
ORGCL 4741 Seminar in Organ Pedagogy and Practice Teaching
A survey of organ method texts, preparation of lesson plans, and practice teaching.
One hour.
ORGCL 4751 Service Playing II
Emphasis on fundamentals of improvisation: hymn-tune embellishments, creative introductions, free accompaniments, interludes, and small forms of improvisation.
One hour.
ORGCL 7712 Advanced Seminar in Organ Literature I
An in-depth study of organ literature from the Renaissance to the Baroque.
Two hours.
ORGCL 7722 Advanced Seminar in Organ Literature II
An in-depth study of organ literature from the Classical period to the present.
Two hours.
ORGCL 7752 Seminar in Advanced Improvisation
An in-depth approach to the larger forms of improvisation. Emphasis is given to variations, toccatas, and free improvisation.
Two hours.
ORGCL 7762 Seminar in Advanced Accompanying
Study and performance of major choral works suited for organ accompaniment, such as Messiah, Elijah, the Brahms Requiem, and the Duruflé Requiem. Attention will also be given to twentieth-century choral music with significant organ accompaniment.
Two hours.
ORGCL 8000 Doctoral Research and Writing
A doctoral student preparing an organ document will enroll in this course until the document is completed.
No credit.
ORGCL 8762 Doctoral Organ Document
Preparation of an acceptable research document, the results of which will be validated through the presentation of a doctoral lecture-recital in ORGPR 8792. A doctoral student preparing an organ document will enroll in ORGCL 8000 Doctoral Research and Writing until the document is completed.
Upon completion and approval, two hours of credit for ORGCL 8762 will be granted.
ORGPR 1700 / 4700 / 7700 Organ Master Class
Group performance experience in which the members of each applied teacher's studio gather for performance, instruction, and discussion. Enrollment required each semester a student is enrolled in private organ. Students are expected to minister in the music program of a local church or organization.
No credit.
ORGPR 1712 M.A.C.M. Organ I
Technical studies, standard repertoire from composers of all periods, and techniques of hymn playing. Master class and jury required. Prerequisite: PIAPR 1822 or its equivalent.
Two hours.
ORGPR 1722 M.A.C.M. Organ II
Technical studies, standard repertoire from composers of all periods, and techniques of hymn playing. Master class and jury required. Prerequisite: ORGPR 1712.
Two hours.
ORGPR 1732 M.A.C.M. Organ III
More advanced repertoire from composers of all periods, standard offertories, and techniques of anthem and solo accompaniment. Master class and jury required. Prerequisite: ORGPR 1722.
Two hours.
ORGPR 1742 M.A.C.M. Organ IV
More advanced repertoire from composers of all periods, standard offertories, and techniques of anthem and solo accompaniment. Master class and jury required. Prerequisite: ORGPR 1732.
Two hours.
ORGPR 1752 M.A.C.M. Organ V
Pre-recital semester. Repertoire from the larger works of composers of all periods. Techniques of solo and oratorio accompaniment. Master class and jury required. Prerequisite: ORGPR 1742.
Two hours.
ORGPR 1762 M.A.C.M. Organ VI and Senior Recital
Preparation and presentation of an acceptable recital and the study of additional repertoire. Master class required. Prerequisite: ORGPR 1752.
Two hours.
ORGPR 4712 M.M. Organ I
Applied study for master's students. Master class and jury required. Prerequisite: Undergraduate major in organ, ORGPR 1762, or its equivalent.
Two hours.
ORGPR 4722 M.M. Organ II
Applied study for master's students. Master class and jury required. Prerequisite: ORGPR 4712.
Two hours.
ORGPR 4782 M.M. Organ III
Applied study for master's students. Master class and jury required. Prerequisite: ORGPR 4722.
Two hours.
ORGPR 4792 M.M. Organ IV and Recital
Preparation and presentation of an acceptable graduate recital and the study of additional repertoire. Master class required. Prerequisite: ORGPR 4782.
Two hours.
ORGPR 5711 Elective Organ
Elective organ for master's-level students. Available only when teaching loads permit. Material appropriate to the student's level. May not be applied to meet the requirements of an organ concentration. May be repeated for credit.
One hour.
ORGPR 5721 Elective Organ
Elective organ for master's-level students. Available only when teaching loads permit. Material appropriate to the student's level. May not be applied to meet the requirements of an organ concentration. May be repeated for credit.
One hour.
ORGPR 5732 Elective Organ
Elective organ for master's-level students. Available only when teaching loads permit. Material appropriate to the student's level. Master class and jury required. May not be applied to meet the requirements of an organ concentration. May be repeated for credit.
Two hours.
ORGPR 5742 Elective Organ
Elective organ for master's-level students. Available only when teaching loads permit. Material appropriate to the student's level. Master class and jury required. May not be applied to meet the requirements of an organ concentration. May be repeated for credit.
Two hours.
ORGPR 7712 Doctoral Organ I
Applied study for doctoral students preparing for ORGPR 8770. Master class and jury required.
Two hours.
ORGPR 7722 Doctoral Organ II
Applied study for doctoral students preparing for ORGPR 8770. Master class and jury required. Prerequisite: ORGPR 7712.
Two hours.
ORGPR 7732 Doctoral Organ III
Applied study for doctoral students preparing for ORGPR 8780. Master class and jury required. Prerequisite: ORGPR 7722.
Two hours.
ORGPR 7742 Doctoral Organ IV
Applied study for doctoral students preparing for ORGPR 8780. Master class and jury required. Prerequisite: ORGPR 7732.
Two hours.
ORGPR 7752 Doctoral Organ V
Applied study for doctoral students preparing for ORGPR 8792. Master class and jury required. Prerequisite: ORGPR 7742.
Two hours.
ORGPR 7761 Elective Organ
Elective organ for doctoral students. Material appropriate to the student's level. May not be applied to meet the requirements of an organ concentration.
One hour.
ORGPR 7762 Elective Organ
Elective organ for doctoral students. Material appropriate to the student's level. Master class and jury required. May not be applied to meet the requirements of an organ concentration.
Two hours.
ORGPR 7771 Elective Organ
Elective organ for doctoral students. Material appropriate to the student's level. May not be applied to meet the requirements of an organ concentration.
One hour.
ORGPR 7772 Elective Organ
Elective organ for doctoral students. Material appropriate to the student's level. Master class and jury required. May not be applied to meet the requirements of an organ concentration.
Two hours.
ORGPR 7782 Elective Organ
Elective organ for doctoral students. Material appropriate to the student's level. Master class and jury required. May not be applied to meet the requirements of an organ concentration.
Two hours.
ORGPR 8770 Doctoral Organ Recital I
Presentation of an acceptable doctoral recital. Master class required.
No credit.
ORGPR 8780 Doctoral Organ Recital II
Presentation of an acceptable doctoral recital. Master class required. Prerequisite: ORGPR 8770.
No credit.
ORGPR 8792 Doctoral Organ VI and Lecture-Recital III
Preparation and presentation of an acceptable doctoral lecture-recital and the study of additional repertoire. Master class required. Prerequisites: ORGCL 8762 and ORGPR 8780.
Two hours.
PIACL 3881 Accompanying
A review of sight reading and transposition skills and an exploration of techniques for solo and ensemble accompanying in both church and concert settings.
One hour.
PIACL 4801 Seminar in Piano Pedagogy I
A survey and evaluation of teaching materials for children and adult beginners. Focuses on practical methods and procedures for the continuing development of technique, style, and musicianship. Co-requisite: PIACL 4861.
One hour.
PIACL 4811 Seminar in Piano Literature I
A survey of the literature for the harpsichord and piano from the dates of their invention to 1827. An additional laboratory hour provides students an opportunity to integrate playing, analysis, and lecture activities into a meaningful synthesis.
One hour.
PIACL 4821 Seminar in Piano Literature II
A survey of the literature for the piano from 1827 to the present. An additional laboratory hour provides students an opportunity to integrate playing, analysis, and lecture activities into a meaningful synthesis.
One hour.
PIACL 4842 Advanced Accompanying
A study of musical examples selected from the accompanying literature, with a focus on techniques pertaining to ensemble playing. Prerequisite: PIACL 3881.
Two hours.
PIACL 4852 Seminar in Piano Pedagogy II
Students engage in projects that focus on practical methods and procedures that guide the teaching of the intermediate and advanced student in matters of technique, style, and musicianship. The projects culminate in the preparation and presentation of a lecture-recital covering repertoire drawn from class study. Prerequisite: PIACL 4801.
Two hours.
PIACL 4861 Practice Teaching I: Piano
A practicum for teachers of young children drawn from the Southwestern Music Academy. Co-requisite: PIACL 4801.
One hour.
PIACL 4870 Piano Proficiency
When the Piano Proficiency is passed, this course number will be posted to the transcript.
No credit.
PIACL 4881 Practice Teaching II: Piano
Faculty supervision of a student who teaches an adult piano class and/or private applied piano students. Prerequisite: PIACL 4852.
One hour.
PIACL 4891 The Piano in Chamber Music Literature
A survey of the literature for small ensembles that include the piano.
One hour.
PIACL 5812 Elective Class Piano I
Beginning piano instruction for all seminary students.
Two hours.
PIACL 5822 Elective Class Piano II
Beginning piano instruction for all seminary students. Prerequisite: 5812 or consent of instructor.
Two hours.
PIACL 7831 Advanced Seminar in Piano Pedagogy I
Individual research into aspects of advanced pedagogy. Analysis and correction of technical problems in advanced students. Prerequisite: PIACL 4852 or permission of instructor.
One hour.
PIACL 7841 Advanced Seminar in Piano Pedagogy II
Individual research into aspects of advanced pedagogy. Analysis and correction of technical problems in advanced students. Prerequisite: PIACL 7831.
One hour.
PIACL 7872 Advanced Seminar in Piano Literature
Study of piano literature from designated periods of music history.
Two hours.
PIACL 7892 The Piano in Chamber Music Literature
A survey of the literature for small ensembles that include the piano. The literature for piano duet and piano duo are also surveyed.
Two hours.
PIACL 7961 Teaching Practicum
Teaching experience in group and private settings in all levels offered by the School of Church Music through the master's degree programs. Faculty supervision. May be repeated for credit. Prerequisite: PIACL 4881 or equivalent.
One hour.
PIACL 8000 Doctoral Research and Writing
A doctoral student preparing a piano document will enroll in this course until the document is completed.
No credit.
PIACL 8862 Doctoral Piano Document
Preparation of an acceptable research document, the results of which will be validated through the presentation of the doctoral lecture-recital of PIAPR 8892. A doctoral student preparing a piano document will enroll in PIACL 8000 Doctoral Research and Writing until the document is completed.
Upon completion and approval, two hours of credit for PIACL 8862 will be granted.
PIACL 8862T Doctoral Piano Pedagogy Document
Research and preparation of a document supporting a pedagogical topic in connection with the doctoral lecture-recital of PIAPR 8892T. A doctoral student preparing a piano document will enroll in PIACL 8000 Doctoral Research and Writing until the document is completed.
Upon completion and approval, two hours of credit for PIACL 8862T will be granted.
PIAPR 1800 / 4800 / 7800 Piano Master Class
Group performance experience in which the members of each applied teacher's studio gather for performance, instruction, and discussion. Students are expected to minister in the music program of a local church or organization.
No credit.
PIAPR 1812 M.A.C.M. Piano I
All scales in thirds, sixths, and tenths, all arpeggios. Bach fugal pieces, Mozart and Beethoven sonatas, smaller pieces of Romantic composers. Hymn and anthem playing. Master class and jury required. Permission of piano faculty required.
Two hours.
PIAPR 1822 M.A.C.M. Piano II
All scales in thirds, sixths, and tenths, all arpeggios. Bach fugal pieces, Mozart and Beethoven sonatas, smaller pieces of Romantic composers. Hymn and anthem playing. Master class and jury required. Prerequisite: PIAPR 1812.
Two hours.
PIAPR 1832 M.A.C.M. Piano III
Advanced technical exercises, larger pieces by composers of all periods. Master class and jury required. Prerequisite: PIAPR 1822.
Two hours.
PIAPR 1842 M.A.C.M. Piano IV
Advanced technical exercises, larger pieces by composers of all periods. Master class and jury required. Prerequisite: PIAPR 1832.
Two hours.
PIAPR 1852 M.A.C.M. Piano V
Preparation of technical proficiency and standard repertoire. Master class and jury required. Prerequisite: PIAPR 1842.
Two hours.
PIAPR 1862 M.A.C.M. Piano VI and Senior Recital
Preparation and presentation of an acceptable recital and the study of additional repertoire. Master class and jury required. Prerequisite: PIAPR 1852.
Two hours.
PIAPR 2811 Piano Review I
First of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 2821 Piano Review II
Second of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 2831 Piano Review III
Third of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 2841 Piano Review IV
Fourth of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 2851 Piano Review V
Fifth of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 2861 Piano Review VI
Last of a six-semester sequence of private lessons in preparation for the Piano Proficiency. Assigned by entrance audition.
One hour.
PIAPR 4812 M.M. Piano I
Advanced repertoire from composers of all periods. Master class and jury required. Permission of piano faculty required. Prerequisite: Undergraduate major in piano or its equivalent.
Two hours.
PIAPR 4822 M.M. Piano II
Advanced repertoire from composers of all periods. Master class and jury required. Prerequisite: PIAPR 4812.
Two hours.
PIAPR 4832 M.M. Accompanying Recital I
The preparation and completion of an accompanying recital involving one or more vocalists. Master class required.
Two hours.
PIAPR 4842 M.M. Accompanying Recital II
The preparation and completion of an accompanying recital involving one or more instrumentalists. Master class required.
Two hours.
PIAPR 4882 M.M. Piano III
Preparation of technical proficiency. Repertoire from keyboard works of all periods. Master class and jury required. Students will be evaluated at jury time for PIAPR 4892. Prerequisite: PIAPR 4822.
Two hours.
PIAPR 4892 M.M. Piano IV and Recital
Preparation and presentation of an acceptable graduate recital and the study of additional repertoire. Master class required. Prerequisite: PIAPR 4882.
Two hours.
PIAPR 5811 Elective Piano
Elective piano for all seminary students. Available only when teaching loads permit. Material appropriate to the student's level. Master class and jury not required. This course may not be applied to meet the requirements of a piano concentration. Beginning piano students may not take this course, but should take PIACL 5812 and PIACL 5822 Elective Class Piano. May be repeated for credit.
One hour.
PIAPR 5872 Elective Piano
Elective private instruction for students with a piano background. Available only when teaching loads permit. Master class and jury required. May be repeated but not credited toward any concentration.
Two hours.
PIAPR 7812 Doctoral Piano I (Piano Performance)
Applied study for doctoral students preparing for PIAPR 8872. Master class and jury required.
Two hours.
PIAPR 7812T Doctoral Piano I (Piano Pedagogy)
Applied study for doctoral pedagogy students preparing for PIAPR 8872T. Master class and jury required.
Two hours.
PIAPR 7822 Doctoral Piano II (Piano Performance)
Applied study for doctoral performance students preparing for PIAPR 8872. Master class and jury required.
Two hours.
PIAPR 7822T Doctoral Piano II (Piano Pedagogy)
Applied study for doctoral pedagogy students preparing for PIAPR 8872T. Master class and jury required.
Two hours.
PIAPR 7832 Doctoral Piano III
Continuation of PIAPR 7822. Master class and jury required.
Two hours.
PIAPR 7842 Doctoral Piano IV
Continuation of PIAPR 7832. Master class and jury required.
Two hours.
PIAPR 7871 Elective Piano
Elective piano for doctoral students. Material appropriate to the student's level. Master class and jury required.
One hour.
PIAPR 7872 Elective Piano
Elective piano for doctoral students. Material appropriate to the student's level. Master class and jury required.
Two hours.
PIAPR 7881 Elective Piano
Elective piano for doctoral students. Material appropriate to the student's level. Master class and jury required.
One hour.
PIAPR 7882 Elective Piano
Elective piano for doctoral students. Material appropriate to the student's level. Master class and jury required.
Two hours.
PIAPR 8872 Doctoral Piano Recital I
Preparation and presentation of an acceptable doctoral recital and the study of additional repertoire. Master class required.
Two hours.
PIAPR 8872T Doctoral Piano Pedagogy Recital I
Selection and preparation of a memorized solo recital featuring piano literature of the twentieth century. Master class required.
Two hours.
PIAPR 8882 Doctoral Piano Ensemble Recital II
Preparation and presentation of an acceptable doctoral recital and the study of additional repertoire. Master class required.
Two hours.
PIAPR 8882T Doctoral Piano Pedagogy Ensemble Recital II
Preparation and presentation of an acceptable doctoral recital and the study of additional repertoire. Master class required.
Two hours.
PIAPR 8892 Doctoral Piano Lecture-Recital III
Preparation and presentation of an acceptable doctoral lecture-recital and the study of additional repertoire. Prerequisite: PIACL 8862.
Two hours.
PIAPR 8892T Doctoral Piano Pedagogy Lecture-Recital III
Preparation and presentation of an acceptable doctoral lecture-recital. Master class required. Prerequisite: PIACL 8862T.
Two hours.
VOICL 1912 / 3912 Class Voice I - Music Majors
Class voice for music students. Memorization of six songs appropriate to the student's concentration and level of achievement. Completion of the two-semester sequence of Class Voice may be used to satisfy the Voice Proficiency for non-voice concentrations.
Two hours.
VOICL 1922 / 3922 Class Voice II - Music Majors
Class voice for music students. Memorization of six songs appropriate to the student's concentration and level of achievement. Completion of the two-semester sequence of Class Voice may be used to satisfy the Voice Proficiency for non-voice concentrations.
Two hours.
VOICL 3902 Foreign Language Diction
The study of Italian, French, and German diction. Standard song texts are transcribed into the International Phonetic Alphabet (IPA) along with pronunciation, oral dictation, and performances of songs in each language. Required of all voice concentration students who did not take an equivalent course on their undergraduate degree.
Two hours.
VOICL 4902 Voice Pedagogy
The study of basic techniques and materials used in teaching voice.
Two hours.
VOICL 4911 Seminar in Solo Vocal Literature I
A survey of art song in Italy and Germany. The student presents songs in class that exemplify stylistic developments of major periods and composers.
One hour.
VOICL 4921 Seminar in Solo Vocal Literature II
A survey of art song in France, Great Britain, and the United States. The student presents songs in class that exemplify stylistic developments of major periods and composers.
One hour.
VOICL 4952 Seminar in Voice Pedagogy
Extensive study of the analysis and correction of vocal problems. Prerequisite: VOICL 4902 or permission of instructor.
Two hours.
VOICL 4962 Practice Teaching: Voice
Practice teaching under faculty supervision. Prerequisite: VOICL 4952 or permission of instructor.
Two hours.
VOICL 4970 Voice Proficiency
When the Voice Proficiency is passed, this course number will be posted to the transcript.
No credit.
VOICL 4982 Special Research in Voice Pedagogy
Under the supervision of the individual voice instructor, the student prepares a major research paper from which the recital lecture is derived. Must be completed prior to VOIPR 4932.
Two hours.
VOICL 7952 Doctoral Voice Pedagogy
Extensive study of the latest research in voice science. May be taken on a directed study basis when the class is not offered. Prerequisite: VOICL 4952 or permission of instructor.
Two hours.
VOICL 7962 Doctoral Practice Teaching
Practice teaching under faculty supervision. Prerequisites: VOICL 4952 and VOICL 4962 or permission of instructor.
Two hours.
VOICL 8000 Doctoral Research and Writing
A doctoral student preparing a voice document will enroll in this course until the document is completed.
No credit.
VOICL 8016 Doctoral Dissertation in Voice Pedagogy
Preparation of an acceptable dissertation, the results of which will be validated through the presentation of a doctoral lecture-recital in VOIPR 8952. A student preparing a voice pedagogy dissertation will enroll in VOICL 8000 Doctoral Research and Writing until the dissertation is completed.
Upon completion and approval, six hours of credit for VOICL 8016 will be granted.
VOICL 8962 Doctoral Voice Document
Preparation of an acceptable research document, the results of which will be validated through the presentation of a doctoral lecture-recital in VOIPR 8992. A doctoral student preparing a voice document will enroll in VOICL 8000 Doctoral Research and Writing until the document is completed.
Upon completion and approval, two hours of credit for VOICL 8962 will be granted.
VOIPR 1900 / 4900 / 7900 Voice Master Class
Group performance experience in which the members of each applied teacher's studio gather for performance, instruction, and discussion. Students are expected to minister in the music program of a local church or organization.
No credit.
VOIPR 1932 M.A.C.M. Voice III
Memorization of works from the standard sacred and secular song literature, including oratorio and cantata arias. Master class and jury required. Prerequisite: VOICL 1922 or its equivalent.
Two hours.
VOIPR 1942 M.A.C.M. Voice IV
Memorization of works from the standard sacred and secular song literature, including oratorio and cantata arias. Master class and jury required. Prerequisite: VOIPR 1932.
Two hours.
VOIPR 1952 M.A.C.M. Voice V
Pre-recital semester. Memorization of works from the standard sacred and secular song literature, including oratorio and cantata arias. Master class and jury required. Prerequisite: VOIPR 1942.
Two hours.
VOIPR 1962 M.A.C.M. Voice VI and Senior Recital
Preparation and presentation of a recital and the study of additional literature. Master class required. Prerequisite: VOIPR 1952.
Two hours.
VOIPR 4912 M.M. Voice I
Applied study for M.M. voice pedagogy and voice performance concentrations. Memorization of sacred and secular songs, including oratorio arias. Permission of voice faculty required. Master class and jury required.
Two hours.
VOIPR 4922 M.M. Voice II
Applied study for M.M. voice pedagogy and voice performance concentrations. Memorization of sacred and secular songs, including oratorio arias. Master class and jury required. Prerequisite: VOIPR 4912.
Two hours.
VOIPR 4932 M.M. Voice Pedagogy III: Lecture-Recital
Applied study for M.M. pedagogy concentration students involving the preparation of a lecture-recital. Master class required. Prerequisites: VOICL 4982 and VOIPR 4922.
Two hours.
VOIPR 4942 M.M. Voice Pedagogy IV: Oratorio Literature
Applied study for M.M. pedagogy concentration students involving in-depth study of appropriate oratorio and cantata roles, including one complete role, culminating in a forty-five minute score-in-hand jury for the voice faculty. Master class required. Prerequisite: VOIPR 4932.
Two hours.
VOIPR 4951 Voice
Required applied study for selected M.M. concentrations. Students chosen by the voice faculty may select Elective Recital VOIPR 5952 immediately following VOIPR 4961. Memorization of songs from standard sacred and secular song literature. Master class and jury required.
One hour.
VOIPR 4961 Voice
Required applied study for selected M.M. concentrations. Students chosen by the voice faculty may select Elective Recital VOIPR 5952 immediately following VOIPR 4961. Memorization of songs from standard sacred and secular song literature. Master class and jury required.
One hour.
VOIPR 4982 M.M. Voice Performance III: Graduate Recital
Applied study for M.M. voice performance concentration. Memorization and presentation of literature for a graduate recital. Master class required. Prerequisite: VOIPR 4922.
Two hours.
VOIPR 4992 M.M. Voice Performance IV: Oratorio Literature
Applied study for M.M. voice performance concentration involving in-depth study of appropriate oratorio and cantata roles, including one complete role, culminating in a forty-five-minute score-in-hand jury for the voice faculty. Master class required. Prerequisite: VOIPR 4982.
Two hours.
VOIPR 5911 Elective Voice
Elective voice for any non-music student involving the study of song literature appropriate to the student's level. Available only when teaching loads permit. No master class or jury required.
One hour.
VOIPR 5921 Elective Voice
Elective voice for any non-music student involving the study of song literature appropriate to the student's level. Available only when teaching loads permit. No master class or jury required.
One hour.
VOIPR 5931 Elective Voice
Elective voice for music students. Memorization of standard sacred and secular song literature. Master class required. No jury.
One hour.
VOIPR 5932 Elective Voice
Elective voice for music students. Memorization of standard sacred and secular song literature. Master class required. No jury.
Two hours.
VOIPR 5941 Elective Voice
Elective voice for music students. Memorization of standard sacred and secular song literature. Master class required. No jury.
One hour.
VOIPR 5942 Elective Voice
Elective voice for music students. Memorization of standard sacred and secular song literature. Master class required. No jury.
Two hours.
VOIPR 5952 Elective Recital
A balance of sacred and secular song literature will be presented in a recital, given after completion of VOIPR 4961, and at the recommendation of the voice faculty. Master class required.
Two hours.
VOIPR 7912 Doctoral Voice I (Voice Performance)
Applied study for doctoral voice performance concentration preparing for voice VOICL 8962, VOIPR 8972, VOIPR 8982, and VOIPR 8992. Preparation of songs from standard sacred and secular literature, ten memorized and five with score. Master class and twenty-five-minute jury required.
Two hours.
VOIPR 7922 Doctoral Voice II (Voice Performance)
Applied study for doctoral voice performance concentration preparing for voice VOICL 8962, VOIPR 8972, VOIPR 8982, and VOIPR 8992. Preparation of songs from standard sacred and secular literature, ten memorized and five with score. Master class and twenty-five-minute jury required.
Two hours.
VOIPR 7932 Doctoral Voice I (Voice Pedagogy)
Applied study for doctoral pedagogy concentration preparing for VOICL 8016 and VOIPR 8952. Preparation of songs from standard sacred and secular literature, ten memorized and five with score. Master class and twenty-five minute jury required.
Two hours.
VOIPR 7942 Doctoral Voice II (Voice Pedagogy)
Applied study for doctoral pedagogy concentration preparing for VOICL 8016 and VOIPR 8952. Preparation of songs from standard sacred and secular literature, ten memorized and five with score. Master class and twenty-five minute jury required.
Two hours.
VOIPR 7951 Doctoral Elective Voice
Applied study for any doctoral student. Memorization of songs from standard sacred and secular song literature. Master class required. No jury.
One hour.
VOIPR 7952 Doctoral Elective Voice
Applied study for any doctoral student. Memorization of songs from standard sacred and secular song literature. Master class required. No jury.
Two hours.
VOIPR 7961 Doctoral Elective Voice
Applied study for any doctoral student. Memorization of songs from standard sacred and secular song literature. Master class required. No jury.
One hour.
VOIPR 7962 Doctoral Elective Voice
Applied study for any doctoral student. Memorization of songs from standard sacred and secular song literature. Master class required. No jury.
Two hours.
VOIPR 8952 Doctoral Voice Pedagogy Lecture-Recital
Final semester of applied study for doctoral pedagogy students, culminating in a public performance one hour in length. Master class required. Prerequisites: VOICL 8016 and VOIPR 7942.
Two hours.
VOIPR 8972 Doctoral Voice Recital I
Preparation and presentation of an acceptable doctoral recital and the study of additional repertoire. Master class required.
Two hours.
VOIPR 8982 Doctoral Ensemble Recital II
Preparation of this recital, featuring works for solo voice with various instruments, will acquaint the singer with a body of literature that lies beyond the confines of art song, and requires solving problems of ensemble performance. Master class required.
Two hours.
VOIPR 8992 Doctoral Voice Lecture-Recital III
Preparation and presentation of an acceptable doctoral lecture-recital, entirely of sacred repertoire, and the study of additional repertoire. Master class required. Prerequisite: VOICL 8962.
Two hours.